Kamis, 26 September 2013

Ebook The Four: The Hidden DNA of Amazon, Apple, Facebook, and Google

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The Four: The Hidden DNA of Amazon, Apple, Facebook, and Google

The Four: The Hidden DNA of Amazon, Apple, Facebook, and Google


The Four: The Hidden DNA of Amazon, Apple, Facebook, and Google


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The Four: The Hidden DNA of Amazon, Apple, Facebook, and Google

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Audible Audiobook

Listening Length: 8 hours and 32 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Penguin Audio

Audible.com Release Date: October 3, 2017

Language: English, English

ASIN: B07565MYD1

Amazon Best Sellers Rank:

Let me start with the strengths of The Four. Scott Galloway clearly has a sharp business mind; he is street smart, likeable, down-to-earth, and often funny; he can hold an audience’s interest and knows the online landscape very well. He also presents business concepts in a clear and well synthesized way, and doesn’t seem to be trying to sell us his own products or services (well, okay, he’s definitely selling his opinions hard—more on that below, but he’s subtle about promoting his company, which I appreciate).Why not a five star rating then? Well, while the book has some big thesis insights into the internet corporate behemoths and online commerce, it generally stays with the big part. This is valuable, and I’m guessing most readers will walk away with some fresh insights. However, once a big idea is noted, he tends to not delve deeper (particularly notable when the subtitle promises "the Hidden DNA." There were even a few times when The Four feels like a blog rant, giving him an opportunity to vent at one of the big companies (most notably that Apple wouldn’t help the FBI crack the code of an iPhone to help them gather evidence on a San Bernardino shooter/terrorist). He also spends a bit of time telling us some obvious things, though in fairness to Galloway, it is tricky to know what to leave out as common knowledge when you are writing for a general audience. As someone who knows a fair bit about ecommerce, I may be showing my bias here, but confirming my sense of some obviousness is the notably lower rating (at this writing at least) that Amazon readers of business books give the book compared to general readers.I also wish Galloway would have delved deeper into the cultural and political implications for society when a handful of companies dominate the digital economy and have outsized influence in nearly every sphere. He touches upon this, but just touches. Perhaps that is too much to ask of a business book, but even the bigger picture business implications don’t get considered in a sustained way. Originally I wanted to say Galloway could be superficial, but that isn’t quite right--especially since he can definitely be trenchant and often has a wicked sharp wit. What I finally realized is that the shortfall comes from his impatience. He says as much as he describes himself and his impatience comes across in some of the stories he tells about himself (most notably in his handling of his efforts to bludgeon the New York Times to change). Ultimately this impatience leads to the book's greatest weakness.Another example of The Four's superficiality/impatience: he casually refers to evolutionary “explanations” for business phenomenon. I am very much inclined toward evolutionary explanations for human behavior as well, but they come off as tossed out there instead of carefully thought through. Galloway’s breezy style also doesn’t help here. That is, Galloway enjoys being flip and cussing a fair bit. I’m not prudish in the slightest and think that he can often be quite amusing, but there is something about using LOTS of f-bombs and s-bombs (

This is one of a number of recent books from authors who had a front row seat at the birth of the digital economy. In this case the journey unfolds through the proxy of Four—Amazon, Google, Apple, and Facebook.The prose is quick and witty. Some of the witty is admittedly built on more than a whiff of cynicism: “At its core, Apple fills two instinctual needs: to feel closer to God and be more attractive to the opposite sex.” And,“Facebook is a platform for strutting and preening…Few people post pictures of their divorce papers or how tired they look on Thursday.” You will, nonetheless, smile.And the book is chock full of interesting trivia: “The cocktail of low-cost product and premium prices has landed Apple with a cash pile greater than the GDP of Denmark, the Russian stock market, and the market cap of Boeing, Airbus, and Nike combined.”In the end, while the book admires what each of the Four has accomplished, it begs the question being increasingly asked: What is our digital future and are we better off for it?It is a legitimate question. Google has more power than Standard Oil or AT&T ever dreamed of and yet the government and its regulators seem not to care. The government, in fact, cheers on the consolidation, despite the degree to which the Four contribute in a very real way to the country’s debilitating political and social polarization. “So, Facebook, and the rest of the algorithm-driven media, barely bothers with moderates.” And “This is how these algorithms reinforce polarization in our society.”Fake news and Russian influence are the news stories of the day, but, as Galloway points out, this is the tip of the iceberg. Google, in the end, is a public utility managed as if it weren’t and Facebook is no less a media company than the New York Times or CNN. To dismiss Facebook’s power on the notion that it is a mere platform for personal expression defies common sense. “Don’t kid yourself: Facebook’s sole mission is to make money. Once the company’s success is measured in clicks and dollars, why favor true stories over false ones?”Each of the four, moreover, yields monopoly-enabled financial power in the market, allowing them to make huge bets in things like artificial intelligence and driverless vehicles; bets that the likes of General Motors and IBM and their employees could not begin to finance out of their comparatively pedestrian and competitively constrained returns.While Galloway clearly has a love/hate relationship with each of the Four and attempts to provide a balanced assessment, the prose devoted to the negative is definitely more acerbic in tone and more than a tad personal. I admit particular discomfort in his portrayal of Steve Jobs, suggesting that fans like myself “conveniently ignored the fact that Steve Jobs gave nothing to charity, almost exclusively hired middle-aged white guys, and was an awful person.”Without disputing Jobs’ humanity tit for tat, as I didn't know him, he was a person with passion and authenticity; two qualities sorely lacking in many C-suites toady. There is a fine line between not suffering fools (a good thing) and bullying (a bad thing), but I still choose to believe Jobs was on the right side of that line.Style and discrete substance aside, I do think Galloway’s main theme is accurate. “A devouring beast, Facebook will continue with more of the same. With its global reach, its near-limitless capital, and its ever-smarter data-crunching AI machine, Facebook, in combination with Google, will lay waste to much of the analog and digital media worlds.” And the Four “pursue a Darwinian, rapacious path to profits and ignore the job destruction taking place at your hands every day.” Whatever the intentions and good will of their leaders, we are allowing a consolidation of corporate power never before seen in history. Napoleon, Alexander the Great, and Genghis Khan were mere street corner tough guys in comparison.I further agree with Galloway that the notion that we are promoting a culture that believes that individuals, entrepreneurial or not, should be rewarded with billion dollar paydays is both dangerous and indefensible. Ultimately, no person, no business, and no idea exists in isolation. Rugged individualism is a romantic myth. Every one of us benefits from our membership in a society that protects us, educates us, and gives us roads to drive on. Every company, the Four included, enjoys both these advantages and the benefits of sound and accessible credit markets, the protection of intellectual property, and a body of publicly funded research that they can lease for pennies on the dollar.The philosophical school of skepticism, most often associated with Pyrrho of Elis, who lived in the fourth century BCE and traveled to India with the armies of Alexander the Great, put it best. Skepticism is the suspension of judgment, called epoché, that flows from the paradox that what we know and how we know it cannot be known independently, thus precluding a definitive answer to either question. However exciting it may be, the entrepreneurial culture that empowers the digital world is built on a well-defined dogma, and is thus worthy of our legitimate skepticism.Galloway ultimately notes that every dog has its day. All of the Four face great risk going forward; risk that has clearly not been baked into their market valuations. Google is likely to be seen for the public utility it is. Facebook will likely be stymied in its effort to facilitate meaningful communities by the inevitable erosion in public trust that is structurally inherent in its algorithmic model. Amazon, Galloway notes, will face potential backlash over the impact of its digital efficiency on retail and last mile employment. And Apple, like all companies, faces the risk of management missteps and changing tastes, although neither has threatened it to date.I don’t share Galloway’s pessimism regarding the future of brands, but I do agree that, “No technology firm has solved the problem of aging—losing relevance.” It reflects, in part, the sine wave of development that seems inherent to the universe itself. Only Apple, Galloway notes, has yet survived beyond the cult of its original founder(s).In the last two sections of the book Galloway tackles what it will take to be the fifth of Five, or a replacement for one of the Four, (What he calls the T Algorithm) and offers advice to young people just starting their career. The ideas are okay but a bit superficial. Everyone should be likeable, for example. If your parents didn’t teach you that you’re admittedly starting in a hole. It’s a quality you should expect of your pets, much less yourself.The latter part of the book does lose some intensity, as a result. Some of the material, such as the need for curiosity, emotional intelligence, and a college degree are a bit redundant. And he makes a lot of generalizations, such as his observed tendency of young men to preen in meetings and what he considers the limited bandwidth of the average CEO. He readily admits his own excesses, which are, at times, a bit off-putting although the authenticity, I think, ultimately wins out.The book, in the end, is a worthy read on an important topic. The author is sometimes a victim of excess, but aren’t we all. Gallagher has both an experience worthy of being heard and the chops to make us listen anyway.

This book is entertainingly written, but it comes off much more as a rant about how bad these companies are than a straightforward look at how they operate. If it were a newspaper article, this would go in the opinion section, not the business section. That's not necessarily a bad thing, but it wasn't what I was looking for or expecting.Additionally, I came across numerous glaring factual errors (many of which would be easily verifiable with public information) in this book. While they generally weren't material to the argument he was making, it does undermine the credibility of the book. If so many things that I personally know about are incorrect, which other things are incorrect and I didn't know?

An outstanding work - entertaining and brilliantly illuminating in equal measure. You don't have to subscribe to every aspect of Mr Galloway's at times scathing analysis or his prescriptions to survive his four horsemen of the apocalypse to nonetheless gain an immense amount of insight from his prescient take. Galloway also has an extremely sharp wit - I actually can't remember a book this (unexpectedly and literally) LOL - always an effective way to package evisceration! Highly, highly recommended!

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Senin, 23 September 2013

PDF Ebook The Coming of Conan the Cimmerian

PDF Ebook The Coming of Conan the Cimmerian

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The Coming of Conan the Cimmerian

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The Coming of Conan the Cimmerian

Product details

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Audible Audiobook

Listening Length: 18 hours

Program Type: Audiobook

Version: Unabridged

Publisher: Tantor Audio

Audible.com Release Date: July 6, 2009

Language: English

ASIN: B002GJHZ88

Amazon Best Sellers Rank:

I read all of Howard's Conan back when I was in high school and loved them. Decided that since it's getting close to 50 years since then, I might want to reread it since the movie (with Momoa, which is closer to the Conan I'd conjured in my mind from the books, better sense of humor then the Schwartzenegger one) had come out. There are a few arguments as to how you ought to read these stories--chronologically by Conan's life line, chronologically according to how Howard wrote the stories, some other means. I also did't bother with the Conan knock offs by other authors, went for just the pure Howard stories. This book gives you the background on Conan, his earlier adventures.

As far as Howard's Conan is concerned I'm a purist like most fans. My opinions on L. Sprague de Camp, Frank Frazetta and what the best Conan stories are differ with those of (most) other purists. One point I do agree on enthusiastically: Del Rey releasing, unchanged, every Howard Conan story, fragment, poem as well as Howard's show bible 'The Hyborian Age' in three companion volumes [THE COMING OF CONAN THE CIMMERIAN, THE BLOODY CROWN OF CONAN and THE CONQUERING SWORD OF CONAN] is the best thing to happen to Conan since Frazetta. THE COMING OF CONAN THE CIMMERIAN celebrates a young American writer never fully recognized for his enormous talent while alive.Fact: no one wrote the Cimmerian better than his creator Robert E. Howard. Later on a few writers took some fairly informed stabs at continuing his material, most failed. Robert Jordan was the best imitator I read but that's a slight statement comparing him to Lin Carter and Björn Nyberg's fan-fic efforts.L. Sprague de Camp was embarrassingly bad trying to write the character too although I don't damn the guy like most purists. He may have churned out crappy Conan fare, but he actually edited Howard's prose quite well, i.e. Treasure of Tranicos gives the largely absent Conan more onstage time, is funnier and more fleshed out than The Black Stranger (not in the book on review). Most important, de Camp went to great lengths to keep Conan in the public eye by getting Howard's tales reprinted in Gnome Press in the fifties and then in Lancer Books in the sixties. If it wasn't for de Camp none of us may ever have heard of Bob Howard. I don't care if de Camp changed story titles, he always told readers the original names anyway; don't care if he padded the saga for meretricious reasons; and could care less if de Camp (and Glen Lord and Lancer) got rich off Howard's writing. With Howard long deceased somebody was going to. Readers can't deny the benefits they've reaped from being introduced to Conan.Frazetta had more to do with Conan's success in the sixties than de Camp. You had to be there to grasp that. I'd seen Frazetta for years on Ace Book covers and in MAD Magazine and thought highly of his art. But nothing prepared me for Frazetta's savage vision of the Cimmerian, it was the best art of Frank's career. Back then I'd buy books with Frazetta covers just for the art and seldom read the book, but when I opened the pages of Conan the Adventurer I realized that just for once the art matched the story. Frazetta is definitely the iconic Conan illustrator but others have done well by the barbarian: Buscema, Alcala, Maroto and I welcome Mark Schultz to those distinguished ranks. I enjoyed his take on Conan in this book a lot, although he's more clean cut than the Conan in my imagination. The other volumes in this set also have excellent artwork.I disagree with many about the best stories in THE COMING OF CONAN THE CIMMERIAN. Rogues in the House (Howard paying homage to Poe?) and The Tower of the Elephant (a Cthulhu mythos tale with Conan?) are classics, of course, like The Phoenix on the Sword and The Scarlet Citadel. Black Colossus and Queen of the Black Coast are considered classic Conan too by most, but I never have liked them. I've read them a couple times apiece and they just don't put that stupid grin on my face I get with "formula" pieces like Iron Shadows in the Moon, Xuthal of the Dusk, The Pool of the Black One and The Devil in Iron (stories I've reread countless times). If I'm odd man out on that score, so be it. Howard evidently enjoyed presenting Conan through another character's eyes instead of telling all the stories from Conan's POV, i.e. Iron Shadows in the Moon is interestingly written in strict third person limited, entirely related from the viewpoint of Olivia, not once is the reader inside Conan's head. A Witch Shall Be Born (not in this volume) is a variation of this motif.I'm grateful Del Rey got the unadulterated Howard-and-only-Howard Conan into readers' hands in these fine collections. Too bad the fiscally challenged Weird Tales didn't pay Howard the two large they owed him in 1935 or readers might have a couple more Conan novellas the caliber of Red Nails (also not in this volume). And too bad Robert E. Howard got the literary reputation he truly deserved thirty years too late. I'm certainly not as passionate a Conan fan now as I was as a 14-year-old boy staring agog at the cover of Conan the Usurper for the first time in 1967, but reading Howard somehow reminds me of being that kid. And the older I get, the more important that seems to become.

A fantastic collection of the Conan stories AS THEY WERE ORIGINALLY WRITTEN by Robert E. Howard. Frankly, I found the illustrations a bit lackluster, but honestly, NO ONE could really live up to the jaw-dropping artwork by Frank Frazetta that helped bring back these stories to the public's attention in the Lancer/Ace paperback editions (1966-1977)... as a youth I poured over those books, grabbing any I could find at used book stores, and Frazetta's paintings influenced my own developing artistic talents. I did book reports on Conan books, drawings of barbarians & monsters for school art classes, even sat on the front row at the opening night of "Conan the Barbarian" starring Arnold Schwarzenegger. Just this morning I was playing the online pc game "Age of Conan: Unchained"... Yes, you could say Robert E. Howard's writings made quite an impression on this young kid from Oklahoma(now a 50 year old grandpa), fueling dreams not of cowboys & Indians, but of swords & sorcery!

“Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”The first volume of Del Rey’s three-volume collection of Robert E. Howard’s Conan stories is my introduction to Howard and almost my introduction to Conan. The Del Rey editions collect the stories in the order that Howard wrote them rather than by publication date or plot chronology. The first book includes a foreword by Mark Schultz and an introduction by Patrice Louinet. Both are excellent, neither denigrating the source material. Louinet is the editor, and Schultz contributed extensive illustrations (I understand these are missing from the Kindle version). He is no Frazetta—no one is—but I like Schutlz’s artwork a lot, and I find it supplanting Frazetta and the Ah-nold movies in how I picture Conan and his world. They do tend to be a little spoilery. The first volume also includes drafts, synopsizes, and, most notably, Robert E. Howard’s fictional history of the Hyborian Age.The stories in this volume are shorter than the stories in the other two volumes. I’m not going to review each. They are excellent, but Conan benefits from the longer stories in the other two volumes, and the stories in the second half of this volume are some of Howard’s weakest Conan stories.The dichotomy Howard draws between barbarianism and civilization is oft remarked on by commentators, not the least because Howard himself quite plainly lays it out. But there is more to it than a cursory, simplistic interpretation might imply. My impression of Conan was sealed by two of the first four stories—The God in the Bowl and The Tower of the Elephant.In each, Conan is a young thief. He doesn’t wear his role as a barbarian in civilized lands as comfortably as he does as an older man. This is a Conan who reacts to his discomfort with civilized society with anger and violence. In The God in the Bowl, Conan is loath to admit he came to the Temple to steal, but he reacts viciously when the watch thinks to seize him.“‘Back, if you value your dog lives!’ he snarled, his blue eyes blazing. ‘Because you dare to torture shop-keepers and strip and beat harlots to make them talk, don’t think you can lay your fat paws on a Hillman! I’ll take some of you to h___ with me! Fumble with your bow, watchman – I’ll burst your guts with my heel before this night’s work is over!’”In The Tower of the Elephant, Conan naively asks about the tower, brazenly declares he could burglarize it, and then kills the man for laughing at him.It is not the loincloth that makes the barbarian.

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Rabu, 18 September 2013

Ebook Download The Splendid Sampler 2: Another 100 Blocks from a Community of Quilters, by Pat Sloan

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The Splendid Sampler 2: Another 100 Blocks from a Community of Quilters, by Pat Sloan

The Splendid Sampler 2: Another 100 Blocks from a Community of Quilters, by Pat Sloan


The Splendid Sampler 2: Another 100 Blocks from a Community of Quilters, by Pat Sloan


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The Splendid Sampler 2: Another 100 Blocks from a Community of Quilters, by Pat Sloan

Review

We've got great news for readers who followed the Splendid Sampler in 2016. It was such a successful and fun project that Pat Sloan and Jane Davidson have teamed up with a fantastic group of designers to do it all again. And it's not too late to get onboard. Here's an update on what you can expect, although we hear there are some undisclosed surprises in store... 14th June: Sew Along starts with one block a week. 1st Nov: the 20th block is given out. 6th Dec: start sewing from the book, with blocks announced on Thursdays. 2nd May: planned end date. And, just so you know, the finished block size is 6 inches, just like the first book, so the blocks can be combined. --Today's Quilter, Issue 35

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Product details

Paperback: 144 pages

Publisher: That Patchwork Place (October 15, 2018)

Language: English

ISBN-10: 1604689528

ISBN-13: 978-1604689525

Product Dimensions:

8.4 x 0.5 x 10.9 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

38 customer reviews

Amazon Best Sellers Rank:

#54,078 in Books (See Top 100 in Books)

When the paperback book was delayed I cancelled it and bought the Kindle version and I am delighted with this format. So easy to print the PDF's from it on my computer. Very happy, next time I'd just buy the Kindle version of a similar book. The patterns themselves are delightful and challenging and I look forward to completing all these blocks.

This book is perfect for the beginner and the expert quilt maker. The pictures are a huge help when the description on how to put a quilt together. It was easy to understand and worth every scent.

They designers and authors have outdone themselves. This is a wonderful book filled with all kinds of quilt blocks.

I quilt and see. It's a challenge that I enjoy. The price came down from 22.00 so I bought it.

I started the free squares on pat sloanes website I enjoyed them.I finishing other quilting projects but can't wait to start more squares in this book

Can't wait to get started

I've only made a couple blocks but love Pat Sloan & she makes it easy to have beautiful blocks

Really nice addition for your quilting collection of books.

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The Splendid Sampler 2: Another 100 Blocks from a Community of Quilters, by Pat Sloan Kindle

The Splendid Sampler 2: Another 100 Blocks from a Community of Quilters, by Pat Sloan PDF

The Splendid Sampler 2: Another 100 Blocks from a Community of Quilters, by Pat Sloan PDF

The Splendid Sampler 2: Another 100 Blocks from a Community of Quilters, by Pat Sloan PDF
The Splendid Sampler 2: Another 100 Blocks from a Community of Quilters, by Pat Sloan PDF

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